Insight
is our reward

Publications in Arts & Humanities by NOMIS researchers

NOMIS Researcher(s)

Published in

July 15, 2021

Listening is a pervasive and significant act of conservation research and praxis, mattering greatly for the realisation of conservation agendas, not least its ambitions to be outward looking and inclusive in approach. Yet, the value and role of listening has been barely explored in a sustained and reflexive way. This paper is a preliminary schematic of what it might mean to attend to the act of listening, set within the context of a larger field of listening scholarship as well as more specific manoeuvres to embed relational approaches into the study of people and nature interactions. We explore what it means to ‘listen well’ within the context of conservation, highlighting the importance of recognising listening as a relationship and our positions and power within those relationships; the need to care for the relationship through respect and empathy; and the building of inclusive relationships of listening by attending to how space and time influences understanding. We offer examples of how researchers and practitioners can create spaces for listening, illustrating our discussion with personal reflections about listening practices gained through our various conservation and research careers. We provide approaches and ideas which help the reader—academic and practitioner—to both understand and articulate the value of listening in conservation and relational values of nature. We hope to inspire the wider use of listening-based approaches in conservation research and practice, and the recognition and support from senior managers and funders of what is needed to promote long-term and meaningful relationships between people and nature. A free Plain Language Summary can be found within the Supporting Information of this article. © 2021 The Authors. People and Nature published by John Wiley & Sons Ltd on behalf of British Ecological Society.

Research field(s)
Arts & Humanities, Philosophy & Theology, Philosophy

NOMIS Researcher(s)

Published in

July 12, 2021

What mental states are required for an agent to know-how to perform an action? This question fuels one of the hottest debates in the current literature on philosophy of action. Answering this question means facing what we call here The Challenge of Format Dualism, which consists in establishing which is the format of the mental representations involved in practical knowledge and, in case they are given in more than one format, explaining how these different formats can interlock. This challenge has generated two parallel debates: the debate between Intellectualism and Anti-Intellectualism on the one hand, and the debate on the Interface Problem on the other. While the former is about whether practical knowledge can be considered a species of propositional knowledge, the latter investigates how motoric and propositional states can be related. Here we offer a unified account capable of explicitly analyzing those two problems within the same philosophical framework. Our account suggests a new way for solving the Interface Problem that paves the way for addressing the debate between Intellectualism and Anti-Intellectualism. © 2021, The Author(s), under exclusive licence to Springer Nature B.V.

Research field(s)
Arts & Humanities, Philosophy & Theology, Philosophy

NOMIS Researcher(s)

Published in

April 20, 2021

Does action play any crucial role in our perception of pictures? The standard literature on picture perception has never explicitly tackled this question. This is for a simple reason. After all, objects in a picture seem to be static objects of perception. Thus, it might sound extremely controversial to say that action is crucial in picture perception. Contrary to this general intuitive stance, this paper defends, for the first time, the apparently very controversial claim, never addressed in the literature, that some of the specific and essential relations between vision and action make action (and its motoric basis) crucial in order for us to enter pictorial experience. I first discuss two ways in which vision and action are deeply linked, by describing the famous notions of Vision-for-Action and Sensorimotor Understanding. Then, I describe the special role they play in generating ordinary pictorial experience and suggest that, when we cannot rely on them while in front of a picture, we lose pictorial experience. © 2021, The Author(s), under exclusive licence to Springer Nature B.V. part of Springer Nature.

Research field(s)
Arts & Humanities

NOMIS Researcher(s)

Published in

February 12, 2021

The Late Upper Palaeolithic (Epigravettian) sequence at Badanj has yielded an important dataset about the occupation of the hinterland of the Eastern Adriatic catchment zone in the late Pleniglacial. The site also harbors one of the rare occurrences of Upper Palaeolithic parietal “art” in southeastern Europe in the form of a large rock engraving. Another notable aspect of the site is the presence of engravings on portable objects made from bone. The first excavations at Badanj, conducted in 1976–1979 in the zone around the engraved rock, yielded a surprisingly large number of personal ornaments (over 1000 specimens) from a variety of primarily marine gastropods, scaphopods, and bivalves, and red deer canines. Here we review what is currently known about the site and report our preliminary findings from the study of the collection of personal ornaments as well as osseous tools, some of which were marked by regular incisions forming decorative motifs. We also report two new direct accelerator mass spectrometry (AMS) dates on antler barbed points.

Research field(s)
Archaeology

NOMIS Researcher(s)

Published in

January 1, 2021

With restricted face-to-face interactions, COVID-19 lockdowns and distancing measures tested the capability of computer-mediated communication to foster social contact and wellbeing. In a multinational sample (n = 6436), we investigated how different modes of contact related to wellbeing during the pandemic. Computer-mediated communication was more common than face-to-face, and its use was influenced by COVID-19 death rates, more so than state stringency measures. Despite its legal and health threats, face-to-face contact was still positively associated with wellbeing, and messaging apps had a negative association. Perceived household vulnerability to COVID-19 reduced the positive effect of face-to-face communication on wellbeing, but surprisingly, people’s own vulnerability did not. Computer-mediated communication was particularly negatively associated with the wellbeing of young and empathetic people. Findings show people endeavored to remain socially connected, yet however, maintain a physical distance, despite the tangible costs to their wellbeing.

Research field(s)
Arts & Humanities, Communication & Textual Studies, Communication & Media Studies

NOMIS Researcher(s)

June 1, 2020

Picture perception and ordinary perception of real objects differ in several respects. Two of their main differences are: (1) Depicted objects are not perceived as present and (2) We cannot perceive significant spatial shifts as we move with respect to them. Some special illusory pictures escape these visual effects obtained in usual picture perception. First, trompe l’oeil paintings violate (1): the depicted object looks, even momentarily, like a present object. Second, anamorphic paintings violate (2): they lead to appreciate spatial shifts resulting from movement. However, anamorphic paintings do not violate (1): they are still perceived as clearly pictorial, that is, nonpresent. What about the relation between trompe l’oeil paintings and (2)? Do trompe l’oeils allow us to perceive spatial shifts? Nobody has ever focused on this aspect of trompe l’oeil perception. I offer the first speculation about this question. I suggest that, if we follow our most recent theories in philosophy and vision science about the mechanisms of picture perception, then, the only plausible answer, in line with phenomenological intuitions, is that, differently from nonillusory, usual picture perception, and similarly to ordinary perception, trompe l’oeil perception does allow us to perceive spatial shifts resulting from movement. I also discuss the philosophical implications of this claim.

Research field(s)
Arts & Humanities, Visual & Performing Arts, Art Practice, History & Theory

NOMIS Researcher(s)

August 1, 2013

This article begins with a comparison between the anonymous Roman d’un inverti (1894/5) and Cavafy’s poem ‘?α μεíνει ‘, and then proceeds to read Cavafy’s private notes and key erotic poems in the context of late nineteenth- and twentieth-century discourses about non-normative sexuality. During that period, and in a discursive domain dominated by sexological case studies, the deviant sexual life story was published in order to titillate, check, control and medicalize. In Cavafy’s texts we see, instead, a network of homosexual life stories proposed as a platform for the conceptualization of novel sexual, aesthetic and social technologies, as well as a new ethics of contact. © 2013 Centre for Byzantine, Ottoman and Modern Greek Studies, University of Birmingham.

Research field(s)
Arts & Humanities, Historical Studies, History